Each piece begins as a vision of form and texture, inspired by the celullar structures and organic rhythms found in nature. My sculptures emerge slowly through a meditative process, using traditional hand-building techniques like coiling and pinching.

I invite you to explore a body of work where each vessel tells a story of patience, precision, and deep material connection. This sculptures exist at the intersection of contemporary art and ancient craft — raw, tactile, and entirely unique.

Each sculpture is hand-built using traditional techniques like coiling and pinching. The process is slow, often unfolding over many hours or days. As the form develops, I refine the surface using a combination of tools, softening or removing some of the more direct marks left by my hands — but their presence remains, subtly embedded in the final piece.

I work with grogged stoneware and leave the surface unglazed. This choice preserves the natural tone and texture of the clay while allowing the structure to take visual priority. The result is a sculptural form that feels deliberate and grounded, shaped through repetition, attention and time.

Material and process